Both tragic and humorous, her drawings, photography, videos and performances make up pieces of her autobiography. The range of techniques used are linked to the plurality of time which underlies femininity: childhood memory, adult life, consciousness, unconsciousness.
General Admission: $5
Pre-sale is over, please purchase your tickets at the door.
Help us send a fond farewell to the stellar work of Millennial Pink, SDAI's most popular exhibition in its 76 year history. An artist talk with Riain Hager will be followed by a performance by Jaime Ramos titled "I'm Sorry If I've Been Distant, Pt. 1.," and close with a music performance by Helixhand.
From its humble beginnings in 2002 as a small birthday party for a few friends, Booty Bassment has grown to become one of California's best rap-based dance clubs. Performing regularly in San Diego, San Francisco, and Orange County, they meld both underground and throwback tracks. Booty Bassment is celebrating their 15th anniversary in August!
SDAI is proud to host its first full day summer art camp. Each unique week of projects will correspond with a popular contemporary art theme. Campers will have the chance to experiment with a wide range of media including painting, drawing, printmaking, photography, and video.
* Image from Camp Parkeology, Photo by: Patrick Miller-Gamble
SDAI Project Space
Jose Hugo Sanchez Jimenez uses monumental printmaking to explore the fragments of dangerous borders and cross-cultural hybrid identities. Paradoxical boundaries trigger the mental sensibilities of local exiles, foreigners, and refugees of global culture censorship.
Queercore: How to Punk a Revolution
Written and Directed by Yony Leyser
2017, 82 minutes
Interviewees discuss homophobia, gender, feminism, AIDS, assimilation, sex, and, of course, art. The extensive participant list includes Bruce LaBruce, G.B. Jones, Genesis Breyer P-Orridge, John Waters, Justin Vivian Bond, Lynn Breedlove, Silas Howard, Pansy Division, Penny Arcade, Kathleen Hanna, Kim Gordon, Deke Elash, Tom Jennings, Team Dresch, and many more. Encompassing a breadth of history and influence, Queercore ends with a glimpse towards Riot Grrl and artists like Peaches and The Gossip, who, inspired by queercore legacy, were next to take the stage.
SDAI is pleased to invite the public to experience a spectacle of sculpture by artist-in-residence Jose Hugo Sanchez Jimenez. The Bestiary Metamorphosis of Migrant Sociology "transcends the graphic discipline of monumental printmaking into monumental woodcut sculpture."
There are no exhibitions on view at this time. SDAI will re-open with Millennial Pink on July 29th, 6-8pm.
SDAI will be closed to the public unless otherwise noted.
Please follow the link "upcoming" to view our in-depth calendar of events
7/8: White Suns • Silent • Telecaves (all ages, $10)
7/10: Summer Art Camps (on sale now!)
7/20: Solos Duos Todos (all ages, $5)
7/29: Millennial Pink (all ages, $5 general admission, free for members)
On Friday, June 23, Poetry & Art Series 2017 presents the 2017 San Diego Poetry Annual (SDPA). Editors and authors published in the anthology read poems from this year's edition. There will guest appearances by San Diego authors Anthony Blacksher, Judy Reeves, Adam Greenfield and Jimmy Jazz. Franco Z will perform A Brief History of Jazz. People’s Choice Poem Performance Awards follow featured readings and performances. DJ Gill Sotu will provide music and sound throughout the show. This interactive arts and culture experience will include beverages, snacks and plenty of time to mingle. Doors open at 6:30 p.m., and the show starts at 7 p.m. Members are free, nonmembers $5 at the door.
SDAI brings back the opportunity for guests to practice figure drawing from a live model. Exercise skills in proportion, gesture, and observation each month starting in April. Artist and SDAI Gallery Manager, Kevin Freligh will facilitate each session, providing tips and advice for those in need of a little extra support and motivation.
SDAI is pleased to participate in Make Music Day in Balboa Park. Make Music is a free celebration of music around the world on June 21st. Launched in 1982 in France as the Fête de la Musique, it is now held on the same day in more than 750 cities in 120 countries. All events, in every location, are free and open to the public.
SDAI will host a special edition of SOLOS DUO TODOS, which will encourage musicians to experiment in new encounters and chance interactions. Multiple sessions throughout the day will give groups of improvisers the chance to perform short solos, then duos, then all together. SOLOS DUOS TODOS is an excercise in spontaneous collaboration and acceptance.
If you'd like to participate, please email: firstname.lastname@example.org
SDAI is pleased to invite experimenters working with sound, video, movement, and other media, in collaborative improvisation.
Performers are invited to bring a reasonable amount of gear to experiment with, set up in a circle, each perform 3 minute solos (getting to know you), then 3 minute duos (AB, BC, CD, DE, EF, FA – ideally with people you haven't played with before), then a short set of everyone together (5-10 minutes). This is not an open mic, so please don't expect to play anything precomposed.
The goal is to experiment in collaboration, try new styles/equipment, and meet new people. Please bring a small set up with practice amp, mono into the mixer, acoustic, or your own projector. For dancers/movers, the floor is smooth concrete, no marley. The instrumentation/medium is open, but the structure is fairly rigid. Performers ought to be willing to collaborate and leave each other space. Audiences have the opportunity to see/hear talented performers of San Diego in chance encounters.
Participation is FREE with RSVP
Email: email@example.com with subject "Solos Duos Todos" and include your equipment/instrumentation plan
AUDIENCE: $5 admission to the performance & SDAI gallery
The third in our series of art and activism related workshops, San Diego Art Institute and Bridge (building-bridges.org) will host an information session detailing local activism and calls for justice within the LGBTQIA+ community; led by special guests from the San Diego Coalition Against Gay Conversion. We will discuss the many ways art can be utilized to spread awareness, develop organizing strategies, and execute resonant and dynamic demonstrations and actions. Examples of banner and sign-making techniques will be shared along with supplies for you to create your own.
Despite the fact that the San Diego/Tijuana border is the most transited in the world, only 1 in 4 San Diegans take the drive south to cross. 100 years ago, during the Panama-California Exposition, locals and tourists visiting the Spanish dancers, gem exhibitions, and Native American reenactment villages of Balboa Park often hopped on a trolley and for an “enjoyable 20-mile ride” to “Tia Juana.” Many of the popular restaurants, casinos, and racetracks in Tijuana were funded by the same American dollars that built Balboa Park. Yet in less than a century, the public imagination of fluidity between San Diego to Tijuana has hardened in sync with the concrete border wall itself...
The Vine Affair is Balboa Park Cultural Partnership's first annual wine festival, entwined within five tasting galleries in Balboa Park. Each location will house several wineries, food vendors and breweries. Beyond taste and smell, the night will be a feast for the senses. See art within the museums, touch and interact with exhibitions, and hear live music in several locations.
Expanding out of last year’s highly acclaimed program, this year’s Organ For the Senses welcomes seven composers from the U.S., Sweden, Australia, and Mexico for an event that will challenge listeners as much as challenge the sonic and architectonic limits of the Spreckels’ organ itself. Curator Alan F Jones (Laminal Audio, Marginal Frequency) has selected regional and nationally renowned contemporary musicians to create works for the world’s largest outdoor pipe organ. Each composition, ranging from eight to twelve minutes in length, seeks to explore the physical properties of the organ itself, wherein vibrationallydriven works feature as prominently as key traces of melody. In aggregate, the music will feature inherent electronic elements, and electronics-as-accompaniment, exploring how the organ functions as a massive analogue synthesizer. Jones’ choices for these performances comes out of an interest to challenge some of the most brilliant minds in experimental music to approach the instrument both obliquely and organically, including music from composers who have never written for organ. In every case, we will all be hearing these works for the first time in a global premiere.